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・ Stevan Eldred-Grigg
・ Stevan Faddy
・ Stevan Harnad
・ Stevan Horvat
・ Stevan Hristić
・ Stevan J. Korda
・ Stevan Jackson
・ Stevan Javellana
・ Stevan Jelovac
・ Stevan Jovetić
・ Stevan K. Pavlowitch
・ Stevan Karadžić
・ Stevan Knežević
・ Stevan Knićanin
・ Stevan Kovačević
Stevan Kragujević
・ Stevan Larner
・ Stevan Lieberman
・ Stevan Lukačević
・ Stevan Luković
・ Stevan M. Luković
・ Stevan Marković
・ Stevan Marković (bodyguard)
・ Stevan Marković (footballer)
・ Stevan Marković (politician)
・ Stevan Milovac
・ Stevan Mojsilović
・ Stevan Mokranjac
・ Stevan Moljević
・ Stevan Naumov


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Stevan Kragujević : ウィキペディア英語版
Stevan Kragujević

Stevan Kragujević (Senta, February 4, 1922Belgrade, April 17, 2002), one of the most outstanding Yugoslav and Serbian photojournalists and art photographers.
== Trade and professional work ==
He became occupied with photography at the age of fourteen. He learned the photographer's trade in Senta with Martin Ronai and Danilo Jakšić. During the war, Stevan went on with his education and progress. Keeping friends with the experienced Geza Barta in Novi Sad, he bought at his photo shop one of the first colour films and used it only for the most valuable shots. So, in 1943, ''„A Goose-girl“'', the photo of a young woman with a basket and geese in a Vojvodina alley, was taken. The photo, entitled „A Motif from Vojvodina Village“ was published on the front cover of „Duga“ magazine, No.313, which, in that way, in 1950, became the first illustrated magazine with the front cover in colour.
He was the first photojournalist of the Information Agency at the Presidium of SFRY, which was managed by Eva Biro, international public-relations person, and headed by Vladimir Dedijer.
Among other photos, the first official portrait of President Tito, made by Kragujević in 1950, was intended for foreign embassies and correspondents. The photo is preserved in Kragujević's archives. Later in his career, Stevan made a rich stock of photos of President Tito, covering his trips around the country, visits to various companies, meetings with foreign statesmen, workmen, artists, ciitizens, or young people, but, apart from official photos, he took a series of anthological, unofficial ones. Because of that, many people considered him Tito's personal photographer – which he was not.
After that period (1949-1951), Stevan Kragujević became a member of the selected team of photographers in Tanjug (1951-1953), and from 1953 until retirement in 1982 a photojournalist and photo editor of the daily newspaper ''“Politika”''.
During his work in “Politika“, especially in the period of modernization (after moving to the new, present-day building) he held other important positions – Chief of the Photolaboratory and Photo department of the company. For a long time he was the head of the Photo department, passed on his experience on his younger colleagues, organized very active day and nighttime-work of the photo editorial office, and especially improved the sense of responsibility and awareness of the importance of taking care of the films and the establishment of rich photographic archives. Until his retirement, he was also a photo editor and helped in introducing a new section in “Politika”, especially the one stressing the real value and importance of photography (“U slici i reči” - “ Trough picture and Word”)

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